Saturday, October 9, 2010

کولوسئوم کجاست؟ به کوردی لاتینی

Coliseum

Ji Wîkîpediya
Here cem: navîgasyon, lêgerîn
Coliseum bi şev
Coliseum (herweha Colisseum an Kolîseyûm) di koka xwe da navê wê Amfîtiyatra Flavian (bi latînî: Amphitheatrum Flavium, bi îtalî: Anfiteatro Flavio an jî Colosseo) amfîtiyatreka wekî hêkekê ye ko li navenda bajarê Romê li Îtalyayê ye. Ev avahî avahiyê herî mezin yê Împeratoriya Romê bû.
Nijinîna wê li dema desthilatdariya împerator Vespasianî di navbera salên 70ê heta 72ê zayînî da dest pê bû li sala 80ê, li dema desthilatdariya emperator Tîtusî dawî bû. Paştir li dema Dumîtianî hindek guherandin di avahiyê wê da hatin kirin.
Li destpêkê cihê rûniştina 50,000 temaşevanan li Kolîseyûmê hebû. Kolîseyûm zêdetir jibo nîşadana şerên gladiyatoran dihat bikaranîn. Jibo 500 salan berêkanê û musabiqe li Kolîseyûmê dihatin kirin, ya herî dawîn li sedsala 6ê ya zayînî bû ko gelek piştî herifyana fermî ya Împeratoriya Romayê li sala 476ê zayînî ye.
Herçend e niha nîvherifyayî ye, lê Kolîseyûm heta van dawiyan jî wekî yek ji nîşanên hêz û xurtanî ya Împeratoriya Romayê dihat hesibandin. Kolîseyûm niha yek ji balkêştirîn cihên Îtalyaya nûdem e ko gerok anko turîst seredana wê dikin. Kolîseyûm hêşta jî girêdayî Dêra katolîkî ye û hersal li roja Eyniya Baş anko Îna Baş papa tîtaleka dînî li wêderê birêvedibit.

کولوسئوم کجاست؟ به فارسی

Coliseum معروفترین آمفی تئاتر دایره وار(بیضی) عظیم تاریخی که تعداد ردیف‌های صندلی آن به تعداد پنجاه هزار ودارای ۸۰ در ورودی است. واژه کلوسئوم به معنی «جایگاه بزرگ» نام دیگر آن آمفی تئاتر فلاویوسی(amphitheaterum flaviusi) است. ساخت کولوسئوم توسط Vespasian (وسپاسین)امپراطور سالهای ۶۹ تا ۷۰ روم پایه گذاری شد، پس از آن پسرش Titus (تیتوس)در سال ۸۰ بعد از میلاد آنرا بنا کرد، که نهایتا توسط Domitian (دومتین)برادر Titus به پایان رسید. کولوسئوم به عنوان اولین آمفی تئاتر دائمی و ماندگار ساخته شده در روم، در زمین‌های باتلاقی ما بین تپه‌های Esquiline(اسکوئیلین) و Caelian(کائلین) واقع شده بود. در این مجموعه امپراطور روم شاهد فجیع‌ترین جنایات به شکل کشتار بردگان و مسیحیان بوده‌است نبردهای خونین بر سر مرگ و زندگی گلادیاتورها یکی از سرگرمی‌های روزانه امپراطوران و اشرافیان روم بوده‌است قدمت تاریخی و شکوه و جلال این عمارت از یک سو و کارآمدی آن برای اجرای نمایش و امکان کنترل جمعیت، از سوی دیگر، باعث شد این سالن یکی از بزرگترین بناهای معماری روم باستان به شمار می‌رفت. پلان این مجموعه به شکل بیضی به قطرهای ۱۸۸ و ۱۵۶ متر زیر بنای آن حدود ۶ جریب می‌باشد ارتفاع آن تقریبا به اندازه یک ساختمان۱۵ طبقه می‌رسد(حدود۴۸متر) کف صحنه چوبی است و در زیر آن مجموعه‌ای از اتاقها و گذرگاهها برای عبور حیوانات وحشی و سایر تدارکات لازم جهت راه اندازی و اجرای نمایش قرار گرفته‌است. تعداد ۸۰ دیوار به عنوان تکیه گاه برای طاق‌های گنبدی شکل، گذرگاهها، پلکان و ردیف‌های صندلی، روی صحنه قرار گرفته‌است. لبه بیرونی طاق‌های متوالی باعث اتصال طبقات مختلف و پلکان بین آنها به یکدیگر شده‌است. نمای داخلی Coliseum از بالا سه ردیف طاق‌های گنبدی شکل رو در روی ستون‌ها و سر ستون‌ها قرار گرفته‌اند، در ستون‌های طبقه اول سبک معماری دوریک (Doric)، در طبقه دوم سبک ایونیک (Ionic)، و در طبقه سوم سبک قرنتی (Corinthian) که نزدیک به سبک کلاسیک یونان بود، به کار رفته‌است.این بنا به دلیل عبور و مرور آسان جمعیت به داخل و خارج میدان یکی از شاهکارهای مهندسی است در بالای این سه طبقه اصلی، طبقه زیرشیروانی شامل ستون‌های مستطیل شکل سبک قرنتی قرار دارد، فضای بین ستون‌ها با ۴۰ عدد پنجره کوچک مستطیل شکل پر شده‌است. در قسمت بالا، دیوارکوب‌ها و بندگاههایی وجود دارد که تیرک‌هایی را که سایه بان‌ها به آنها آویزان است، نگه داشته‌اند. در ساخت عمارت با دقت بسیاری از انواع ترکیبات ساختمانی استفاده شده، برای فونداسیون از بتون و برای ستون‌ها و طاق‌ها از سنگ آهک (تراورتن) استفاده شده، در ستون‌های به کار رفته برای دیوار دو طبقه زیرین، از نوعی سنگ متخلخل به نام توفا (Tufa) استفاده شده‌است. برای طبقات فوقانی و اکثر طاق‌ها از آجر بتونی استفاده شده‌است.

عجایب هفتگانه جدید به شمار می‌رود. این اثر هم اکنون به عنوان یکی از

کولوسئوم کجاست؟

آیا در مورد نام این وبلاگ کولوسئوم چه می دانید؟

The Colosseum is probably the most impressive building of the Roman empire. Originally known as the Flavian Amphitheater, it was the largest building of the era.
The monumental structure has fallen into ruins, but even today it is an imposing and beautiful sight.

The Colosseum in Rome
The Flavian Amphitheater
Emperor Vespasian, founder of the Flavian Dynasty, started construction of the Colosseum in AD 72. It was completed in AD 80, the year after Vespasian's death.
The huge amphitheater was built on the site of an artificial lake, part of Nero's huge park in the center of Rome which also included the Golden House (Domus Aurea) and the nearby Colossus statue. This giant statue of Nero also gave the building its current name.

The Building
A Scale Model of the Colosseum in Imperial Rome
The Colosseum in Imperial Rome
The elliptical building is immense, measuring 188m by 156m and reaching a height of more than 48 meter (159 ft). The Colosseum could accommodate some 55,000 spectators who could enter the building through no less than 80 entrances.
Above the ground are four storeys, the upper storey contained seating for lower classes and women.
Colosseum, Rome
The lowest storey was preserved for prominent citizens. Below the ground were rooms with mechanical devices and cages containing wild animals. The cages could be hoisted, enabling the animals to appear in the middle of the arena.

Velarium
The Colosseum was covered with an enormous awning known as the velarium. This protected the spectators from the sun. It was attached to
The Colosseum at night
large poles on top of the Colosseum and anchored to the ground by large ropes. A team of some 1,000 men was used to install the awning.

Bread and circuses
Emperors used the Colosseum to entertain the public with free games. Those games were a symbol of prestige and power and they were a way for an emperor to increase his popularity.
Games were held for a whole day or even several days in a row. They usually
Inside the Colosseum in Rome
started with comical acts and displays of exotic animals and ended with fights to the death between animals and gladiators or between gladiators. These fighters were usually slaves, prisoners of war or condemned criminals. Sometimes free Romans and even Emperors took part in the action.

The colosseum at night
Inauguration
Hundred-day games were held by Titus, Vespasian's successor, to mark the inauguration of the building in AD 80. In the process, some 9,000 wild animals were slaughtered.

The Ruins
The southern side of the Colosseum was felled by an earthquake in 847. Parts of the building - including the marble facade - were used for the construction of later monuments, including the St. Peter's Basilica.

در مورد معماری رم و ایتالیا چه می دانید.؟

Architecture of Rome

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Rome's architecture over the centuries has greatly developed, especially from the Classical and Imperial Roman styles to modern Fascist architecture. Rome was for a period one of the world's main epicentres of classical architecture, developing new forms such as the arch, the dome and the vault.[1] The Romanesque style in the 11th, 12th and 13th centuries was also widely used in Roman architecture, and later the city became one of the main centres of Renaissance and Baroque architecture.[2] Rome's cityscape is also widely Neoclassical and Fascist in style.

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[edit] Classical and Imperial Rome

The Colosseum.
During the Roman Republic, most Roman buildings were made of concrete and bricks, but eversince about 100 BC and the Roman Empire, marble and gold were more widely used as decoration themes in the architecture of Rome, especially in temples, palaces, fora and public buildings in general.[3] Most buildings, just like in Classical Athens, had caryatids and atlantises supporting balconies or structures, mainly rapresenting standing women or muscular men. The caryatids found in ancient Roman architecture were mainly copies of the Greek ones, just like in the Forum of Augustus.[4] Temples in ancient Roman architecture were usually raised with an elongated staircase, and were usually built on a podium or a dais. They usually had a portico and a triangle-roofed porch with columns.[5] Romans mainly copied their orders from the Corinthian orders, the Doric orders and the Ionic orders, but created a new Composite order which was used in the Arch of Titus. Domes, vaults, Aedicules (small shrines designed as small temples) and coffers were also popular elements of Classical and Imperial Roman architecture. The Colosseum is the most prominent element of ancient Roman architecture, but also the Roman Forum, the Domus Aurea, the Pantheon, Trajan's Column, Trajan's Market, the Catacombs, the Circus Maximus, the Baths of Caracalla, Castel Sant'Angelo, the Mausoleum of Augustus, the Ara Pacis, the Arch of Constantine, the Pyramid of Cestius, and the Bocca della Verità are renowned ancient monuments.

[edit] Romanesque, Gothic and Medieval Rome

Rome has an often overlooked, yet rich and diverse Romanesque and Gothic heritage. Many of the first Christian churches in the world were constructed in Rome, and Byzantine churches were mainly based on the Roman basilica. They were often oblong or geometric, long, with three naves and full of rich golden mosaics.[6] Later Romanesque churches in Rome were more round, using the Roman arch. There are few Gothic churches in Rome. Examples of buildings from this period includes the Santa Maria Maggiore, the San Paolo Fuori le Mura (the later part being largely rebuilt in the 19th century), Santa Maria in Trastevere, Santi Quattro Coronati, Santa Prassede, Torre delle Milizie, the Torre dei Conti, and the Santa Maria in Ara Coeli. Elaborate tabernacles were popular especially in the 13th century, and basilicas were often full of rich mosaics.[7] In the 12th and 13th centuries, the Cosmati family was famous for their mosacis and elegant decoration. They created beautiful marble floors with mosacis, often with inlays of green and red porphory. Their designs in Rome became so popular that they were known as cosmatesque.[8]

[edit] Renaissance

Rome is widely regarded as being the second Renaissance capital of Italy after Florence, and was one of the most important architectural and cultural centres of the time. It derived its main designs frn the Classical models. Loggias, ore open-sided galleries, were fashionable,[9] and palaces, or palazzi often had rusticated blocks decorating the grand entrances to their houses. In churches, especially in St. Peter's Basilica, baldacchini or a column-supported canopy, were widely used. Examples include the Palazzo del Quirinale (now seat of the President of the Italian Republic), the Palazzo Venezia, the Palazzo Farnese, the Palazzo Barberini, the Palazzo Chigi (now seat of the Italian Prime Minister), the Palazzo Spada, the Palazzo della Cancelleria, and the Villa Farnesina.

[edit] Baroque

The Baroque-Renaissance St. Peter's Basilica.
Rome is widely regarded as being the epicentre of Baroque architecture, and was profoundly influenced by the movement. Roman baroque architecture was widely based on Classical symmetry and Renaissance styles, but broke many of the architectural rules, creating a far richer and more elaborate style, preferring grandiosity and opulence rather than Renaissance classicism and elegance. Putti, or child cupids and chrubs, were popular in Baroque architectural design. The city is famous for its many huge and majestic Baroque squares (often adorned with obelisks), many of which were built in the 17th century. The principal squares are Piazza Navona, Piazza di Spagna, Campo de' Fiori, Piazza Venezia, Piazza Farnese and Piazza della Minerva. One of the most emblematic examples of Baroque art is the Fontana di Trevi by Nicola Salvi. Notable 17th-century baroque palaces are the Palazzo Madama, now the seat of the Italian Senate and the Palazzo Montecitorio, now the seat of the Chamber of Deputies of Italy.

[edit] Neoclassical Rome

The Fontana delle Naiadi in the Neoclassical Piazza della Repubblica.
In 1870, Rome became the capital city of the new Kingdom of Italy. During this time, neoclassicism, a building style influenced by the architecture of antiquity, became a predominant influence in Roman architecture. During this period, many great palaces in neoclassical styles were built to host ministries, embassies, and other governing agencies. One of the best-known symbols of Roman neoclassicism is the Monument of Vittorio Emanuele II or "Altar of the Fatherland", where the Grave of the Unknown Soldier, that represents the 650,000 Italians that fell in World War I, is located.

[edit] Fascist architecture

Palazzo della Farnesina (Italian Ministry of Foreign Affairs), 1935-1959, Rome, Italy.
The Fascist regime that ruled in Italy between 1922 and 1943 developed an architectural style that was characterised by its links with ancient Roman architecture. The most important Fascist site in Rome is the E.U.R district, designed in 1938 by Marcello Piacentini. It was originally conceived for the 1942 world exhibition, and was called "E.42" ("Esposizione 42"). The world exhibition, however, never took place because Italy entered the Second World War in 1940. The most representative building of the Fascist style at E.U.R. is the Palazzo della Civiltà Italiana (1938–1943), the iconic design of which has been labelled the cubic or Square Colosseum. After World War II, the Roman authorities found that they already had the seed of an off-centre business district of the type that other capitals were still planning (London Docklands and La Défense in Paris). Also the Palazzo della Farnesina, the current seat of Italian Foreign Ministry, was designed in 1935 in Fascist style.

در مورد رم و ایتالیا چه می دانید.؟ به فارسی 3

رم

از ویکی‌پدیا، دانشنامهٔ آزاد
پرش به: ناوبری, جستجو
مختصات: Internet-web-browser.svg '۴۱°۵۴ شمالی، '۳۰°۱۲ شرقی


—  رم  —
Roma
کولوسئوم
کولوسئوم
Pantheon rome 2005may.jpg
پانتئون رم، مه ۲۰۰۵
پرچم
پرچم
Coat of arms of Rome.svg
نشان رسمی
لقب: ""
Roma posizione.png
محل استان رم در منطقه لاتسیو
—  موقعیت سیاسی  —
کشور Flag of Italy.svg ایتالیا
ناحیه لاتسیو


شهردار جیانی آلمانو
—  موقعیت جغرافیایی و زمانی  —
وسعت شهر ۱.۲۸۵.۳۱ کیلومتر مربع
ناحیه زمانی +۱ گرینویچ (CEST)
—  جمعیت  —
جمعیت ۲,۷۲۶,۹۲۷ نفر
وبگاه رسمی: [۱]

رُم پایتخت کشور ایتالیا و همچنین مرکز استان لاتسیو ایتالیا است. رم در کنار رودخانه تِوِره و در نزدیکی دریای مدیترانه قرار گرفته است. کشور واتیکان در درون شهر رم قرار گرفته است.
از استودیوهای معروف و تاریخی فیلم در رم چینه‌چیتا است و بقایای کولوسئوم، آمفی‌تئاتر معروف رومی نیز در همین شهر است.

[ویرایش] تاریخ رم

تاریخ رم را معمولاً از ۲۲ آوریل ۷۵۳ ق‌م، تاریخ سنتی بنیانگذاری شهر رم (که در دوره‌ای مبدأ تاریخ به‌شمار می‌آمده) - تا ۴ سپتامبر ۴۷۶، یعنی تاریخ برکناری رمولوس آگوستوس، آخرین امپراتور رم غربی در نظر می‌گیرند.
این دوازده قرن تاریخ را ادوارد گیبون، سیاست‌مدار انگلیسی سدهٔ ۱۸ و مشهورترین مورخ تاریخ رم، در ۶ جلد جا کرده و ویل دورانت، یک جلد ۹۰۰ صفحه‌ای از تاریخ تمدن‌اش را به آن اختصاص داده.
تاریخ رم با افسانه شروع می‌شود. انیید، یکی از بازماندگان شهر تروا در آن جنگ افسانه‌ای، به سرزمین ایتالیای امروزی می‌آید. نوادگانش رموس و رمولوس، بنا به دستور پادشاهی که پسران را می‌کشته، به آب افکنده می‌شوند و از قضا، توسط ماده‌گرگی پرستاری و بزرگ می‌شوند. و بعدها این دو تن، شهر رم را بر روی هفت تپه نزدیک به رود تیبر بنیان می‌گذارند. این افسانه، خالی از حقیقت هم نیست. بنیانگذاران شهر رم، مردمانی غیر از ساکنان بومی سرزمین ایتالیا بودند که امروزه قوم و تمدن شان به نام اتروسکانی شناخته می‌شود. آن طور که محققان حدس می‌زنند، کسانی از بابل یا الهام گرفته از تمدن بابل بودند که به رم آمدند و شهرنشینی را به آن سرزمین آوردند.
تاریخ رم، سه دوره آغازین و جمهوری، امپراتوری، و افول و سقوط امپراتوری را شامل می‌شود. سنای رم، مجلسی که به تقلید از یونانی‌ها برپا شده بود، بازیگر ثابت هر سه دوره بود. در ابتدا، پس از منازعات فراوان، اختلاف طبقاتی بین اشراف و توده‌های زیردست برداشته شد و جمهوری شکل گرفت. رمی‌ها به خاطر ارتش منظم شان توانستند قلمرو خود را از دشت‌های پیرامون رم (موسوم به لاتیوم، یعنی سرزمین مردم لاتین) به کل ایتالیا گسترش بدهند (۲۳۸ ق‌م). بعد نوبت تسلط بر دریای مدیترانه بود. رمی‌ها بر سر تصرف جزیره سیسیل با دولت کارتاژ درگیر شدند و بعد از سه جنگ بزرگ، عاقبت (در ۱۴۹ ق‌م) دولت کارتاژ که روزی بر تمامی ساحل دریای مدیترانه، از سیسیل تا اسپانیا تا آفریقا حکومت می‌کرد، به کلی نابود شد. یونان هم (در ۱۲۹ ق‌م) به دست رمی‌ها افتاد. امپراتوری شکل گرفته بود. با ظهور چهره قدرتمندی به نام ژولیوس سزار، اختلافات داخلی تمام شد و جایگاه امپراتور به عنوان بالاترین قدرت و مظهر اراده رم شکل گرفت. در دوره طلایی (۲۷ ق‌م تا ۱۹۲م) آن‌ها به همسایگی امپراتوری ایران رسیدند و رم از شهری آجری به شهری از مرمر تبدیل شد. تمام ادیبان و فیلسوفان مهم رم در این دوره زندگی می‌کردند و اکثر داستان‌های رم باستان، مربوط به این دوران است. پادشاهی کومودوس پایان عصر طلایی بود. بعد از او، دیگر هیچ چیز مثل قبل نبود. سرداران کشور را چند پاره کردند و اختلافات بین هواداران مسیح و کافران به کیش جدید هم به این چندپارگی افزود. کنستانتین، تنها امپراتور بزرگ پس از عصر طلایی، کشور را متحد کرد، مسیحیت را آئین رسمی اعلام کرد و شهر کنستانتینوپل (استانبول) را به عنوان پایتخت جدید ساخت (۳۳۶م). با این کار البته میراث رم تا قرن‌ها بعد در امپراتوری بیزانس حفظ شد، اما در واقع کنستانتین به شهر رمولوس خیانت کرد. با مرگ او، امپراتوری به دو بخش غربی و شرقی تقسیم شد (۳۹۵م). فاصله این دو پاره امپراتوری، مدام با هم بیشتر می‌شد. دیگر نه رم شرقی تاب مقابله با امپراتوری ایران را داشت و نه رم غربی می‌توانست مانع از هجوم هون‌ها و وندال‌ها و گوت‌ها و سایر اقوام بیابان‌گرد بشود. آتیلا (در ۴۴۴م) رسما برای حمله نکردن به رم از امپراتوران غرامت می‌گرفت. اوضاع در داخل امپراتوری از این هم عجیب‌تر بود. یکی از آخرین امپراتورها، خودش هم از این که به مرگ طبیعی می‌میرد و هیچ کس علیه‌اش توطئه نکرده در تعجب بود. آخرین امپراتور رم، پسربچه‌ای به نام رمولوس اگوستوس بود.[نیازمند منبع] ادووآکر، پسر ادکون، وزیر ایتالیا با تهاجم به رم، به سادگی او را از پادشاهی خلع کرد (۴۷۶م) و پایان امپراتوری رم را اعلام کرد. او دستور داد از آن به بعد، آن سرزمین را ایتالیا بخوانند.

در مورد رم و ایتالیا چه می دانید.؟

در مورد رم و ایتالیا چه می دانید.؟
در مورد معماری کلاسیک رم و ایتالیا به متن زیر توجه کنید:

Main sights

The Roman Forum with the Capitoline Hill behind.

[edit] Architecture

[edit] Ancient Rome

One of the symbols of Rome is the Colosseum (70–80 AD), the largest amphitheatre ever built in the Roman Empire. Originally capable of seating 60,000 spectators, it was used for gladiatorial combat. A list of important monuments and sites of ancient Rome includes the Roman Forum, the Domus Aurea, the Pantheon, Trajan's Column, Trajan's Market, the Catacombs, the Circus Maximus, the Baths of Caracalla, Castel Sant'Angelo, the Mausoleum of Augustus, the Ara Pacis, the Arch of Constantine, the Pyramid of Cestius, and the Bocca della Verità.

[edit] Medieval

Often overlooked, Rome's medieval heritage is one of the largest in Italian cities. Basilicas dating from the Paleochristian age include Santa Maria Maggiore and San Paolo Fuori le Mura (the latter largely rebuilt in the 19th century), both housing precious 4th century AD mosaics. Later notable medieval mosaic and fresco art can be also found in the churches of Santa Maria in Trastevere, Santi Quattro Coronati, and Santa Prassede. Lay buildings include a number of towers, the largest being the Torre delle Milizie and the Torre dei Conti, both next the Roman Forum, and the huge staircase leading to the basilica of Santa Maria in Ara Coeli.

[edit] Renaissance and Baroque

Rome was a major world centre of the Renaissance, second only to Florence, and was profoundly affected by the movement. Among others, a masterpiece of Renaissance architecture in Rome is the Piazza del Campidoglio by Michelangelo. During this period, the great aristocratic families of Rome used to build opulent dwellings as the Palazzo del Quirinale (now seat of the President of the Italian Republic), the Palazzo Venezia, the Palazzo Farnese, the Palazzo Barberini, the Palazzo Chigi (now seat of the Italian Prime Minister), the Palazzo Spada, the Palazzo della Cancelleria, and the Villa Farnesina.
Many of the famous city's squares - some huge, majestic and often adorned with obelisks, some small and pictoresque - got their present shape during the Renaissance and Baroque. The principal ones are Piazza Navona, Piazza di Spagna, Campo de' Fiori, Piazza Venezia, Piazza Farnese, Piazza della Rotonda and Piazza della Minerva. One of the most emblematic examples of Baroque art is the Fontana di Trevi by Nicola Salvi. Other notable 17th-century baroque palaces are the Palazzo Madama, now the seat of the Italian Senate and the Palazzo Montecitorio, now the seat of the Chamber of Deputies of Italy.

[edit] Neoclassicism

The neoclassical Piazza del Popolo.
In 1870, Rome became the capital city of the new Kingdom of Italy. During this time, neoclassicism, a building style influenced by the architecture of antiquity, became a predominant influence in Roman architecture. During this period, many great palaces in neoclassical styles were built to host ministries, embassies, and other governing agencies. One of the best-known symbols of Roman neoclassicism is the Monument of Vittorio Emanuele II or "Altar of the Fatherland", where the Grave of the Unknown Soldier, that represents the 650,000 Italians that fell in World War I, is located.

[edit] Fascist architecture

The Fascist regime that ruled in Italy between 1922 and 1943 developed an architectural style that was characterised by its links with ancient Roman architecture. The most important Fascist site in Rome is the E.U.R district, designed in 1938 by Marcello Piacentini. It was originally conceived for the 1942 world exhibition, and was called "E.42" ("Esposizione 42"). The world exhibition, however, never took place because Italy entered the Second World War in 1940. The most representative building of the Fascist style at E.U.R. is the Palazzo della Civiltà Italiana (1938–1943), the iconic design of which has been labelled the cubic or Square Colosseum. After World War II, the Roman authorities found that they already had the seed of an off-centre business district of the type that other capitals were still planning (London Docklands and La Défense in Paris). Also the Palazzo della Farnesina, the current seat of Italian Foreign Ministry, was designed in 1935 in Fascist style.

[edit] Parks and gardens

Public parks and nature reserves cover a large area in Rome, and the city has one of the largest areas of green space amongst European capitals.[47] The most notable part of this green space is represented by the large number of villas and landscaped gardens created by the Italian aristocracy. While many villas were destroyed during the building boom of the late 19th century, a great many remain. The most notable of these are Villa Borghese, Villa Ada, and Villa Doria Pamphili. Villa Doria Pamphili is west of the Gianicolo hill comprising some 1.8 km2. Also on the Gianicolo hill there is Villa Sciarra, with playgrounds for children and shaded walking areas. In the nearby area of Trastevere the Orto Botanico (Botanical Garden) is a cool and shady green space. The old Roman hippodrome (Circus Maximus) is another large green space but the main attraction is the ancient site of the chariot racing and it has few trees. Nearby is the lush Villa Celimontana, close to the gardens surrounding the Baths of Caracalla and Rose Garden (‘roseto comunale’). The Villa Borghese garden is the best known large green space in Rome, with famous art galleries among its shaded walks. It is close to the Spanish Steps and Piazza del Popolo. Rome also has a number of regional parks of much more recent origin including the Pineto Regional Park and the Appian Way Regional Park. There are also nature reserves at Marcigliana and at Tenuta di Castelporziano.

[edit] Fountains and aqueducts

Rome is a city famous for its numerous fountains, built in all different styles, from Classical and Medieval, to Baroque and Neoclassical. The city has had fountains for more than two thousand years, and they have provided drinking water and decorated the piazzas of Rome. During the Roman Empire, in 98 A.D., according to Sextus Julius Frontinus, the Roman consul who was named curator aquarum or guardian of the water of the city, Rome had nine aqueducts which fed 39 monumental fountains and 591 public basins, not counting the water supplied to the Imperial household, baths and owners of private villas. Each of the major fountains was connected to two different aqueducts, in case one was shut down for service.[48] During the 17th and 18th century the Roman popes reconstructed other ruined Roman acqueducts and built new display fountains to mark their termini, launching the golden age of the Roman fountain. The fountains of Rome, like the paintings of Rubens, were expressions of the new style of Baroque art. They were crowded with allegorical figures, and filled with emotion and movement. In these fountains, sculpture became the principal element, and the water was used simply to animate and decorate the sculptures. They, like baroque gardens, were "a visual representation of confidence and power."[49]

[edit] Statues

Bronze statue of the Winged Victory on chariot located the top of Vittorio Emanuele monument in Rome
Bronze statue of the Winged Victory on chariot located the top of Vittorio Emanuele monument in Rome
The Marforio, or Marphurius, one of the talking statues of the city, meant to represent the god Oceanus.
One of the statues representing angels in the Ponte Sant'Angelo.
Rome is well known for its statues but, in particular, the talking statues of Rome. These are usually ancient statues which have become popular soapboxes for political and social discussion, and places for people to (often satirically) voice their opinions. There are two main talking statues: the Pasquino and the Marforio, yet there are four other noted ones: il Babuino, Madame Lucrezia, il Facchino and Abbot Luigi. Most of these statues are ancient Roman or classical, and most of them also depict mythical gods, ancient people or legendary figures; il Pasquino represents Menelaus, Abbot Luigi is an unknown Roman magistrate, il Babuino is supposed to be Silenus, Marforio represents Oceanus, Madame Lucrezia is a bust of Isis, and il Facchino is the only non-Roman statue, created in 1580, and not representing anyone in particular. They are often, due to their status, covered with placards or graffiti expressing political ideas and points of view. Other statues in the city, which are not related to the talking statues, include those of the Ponte Sant'Angelo, or several monuments scattered across the city, such as that to Giordano Bruno in the Campo de'Fiori.

[edit] Obelisks and columns

The column of Trajan, or in Italian "Colonna Traiana", an ancient Roman column in the city.
The Solare obelisk, in Piazza Montecitorio
The city contains eight ancient Egyptian and five ancient Roman obelisks, together with a number of more modern obelisks; there was also formerly (until 2005) an ancient Ethiopian obelisk in Rome.[50] The city contains some of obelisks in piazzas, such as in Piazza Navona, St Peter's Square, Piazza Montecitorio, and Piazza del Popolo, and others in villas, thermae parks and gardens, such as in Villa Celimontana, the Baths of Diocletian, and the Pincian Hill. Moreover, the centre of Rome hosts also Trajan's and Antonine Column, two ancient Roman columns with spiral relief.

[edit] Bridges

The city of Rome contains numerous famous bridges which cross the Tiber. Famous ones include the Ponte Cestio, the Ponte Milvio, the Ponte Nomentano, the Ponte Sant'Angelo, the Ponte Vittorio Emanuele II, the Ponte Sisto and the Ponte dei Quattro Capi. Currently there are five ancient Roman bridges still remaining in the city.[51] Most of the city's public bridges were built in Classical or Renaissance style, but also in Baroque, Neoclassical and Modern styles. According to the Encyclopædia Britannica, the finest ancient bridge remaining in Rome is the Ponte Sant'Angelo, which was completed in 135AD, and was decorated with 10 statues of the angels, designed by Bernini in 1688.[52]

[edit] Catacombs

Rome has extensive amount of ancient catacombs, or underground burial places under or near the city, of which there are at least forty, some discovered only in recent decades. Though most famous for Christian burials, they include pagan and Jewish burials, either in separate catacombs or mixed together. The first large-scale catacombs were excavated from the 2nd century onwards. Originally they were carved through tuff, a soft volcanic rock, outside the boundaries of the city, because Roman law forbade burial places within city limits. Currently maintenance of the catacombs is in the hands of the Papacy which has invested in the Salesians of Don Bosco the supervision of the Catacombs of St. Callixtus on the outskirts of Rome.

[edit] Economy

Eni's headquarters in EUR, Rome's business district
The Banca d'Italia (Bank of Italy) in Via Nazionale, Rome.
With a 2005 GDP of €94.376 billion (US$121.5 billion),[53] the city produces 6.7% of the national GDP (more than any other single city in Italy), and its unemployment rate, lowered from 11.1% to 6.5% between 2001 and 2005, is now one of the lowest rates of all the European Union capital cities.[53] Rome grows +4.4% annually and continues to grow at a higher rate in comparison to any other city in the rest of the country.[53] This means that were Rome a country, it would be the world's 52nd richest country by GDP, near to the size to that of Egypt. Rome also had a 2003 GDP per capita of €29,153 (US$ 37,412), which was second in Italy, (after Milan), and is more than 134.1% of the EU average GDP per capita.[54] Rome, on the whole, has the highest total earnings in Italy, reaching €47,076,890,463 in 2008,[55] yet, in terms of average workers' incomes, the city places itself 9th in Italy, with €24,509, coming after Treviso (€24,593) and Siena (€24,549), and surpassing Parma (€24,456) and Varese (€24,045).[55] On a global level, Rome's workers receive the 30th highest wages in 2009, coming three places higher than in 2008, in which the city was 33rd. This means that, whilst gross average earnings are less than Madrid and Barcelona, they are more than some other cities, such as Athens, Lisbon, Dubai and Hong Kong.[56]
Although the economy of Rome is characterised by the absence of heavy industry and it is largely dominated by services, high-technology companies (IT, aerospace, defence, telecommunications), research, construction and commercial activities (especially banking), and the huge development of tourism are very dynamic and extremely important to its economy. Rome's international airport, Fiumicino, is the largest in Italy, and the city hosts the head offices of the vast majority of the major Italian companies, as well as the headquarters of three of the world's 100 largest companies: Enel, Eni, and Telecom Italia.[57]
Universities, national radio and television and the movie industry in Rome are also important parts of the economy: Rome is also the hub of the Italian film industry, thanks to the Cinecittà studios, working since the 1930s. The city is also a centre for banking and insurance as well as electronics, energy, transport, and aerospace industries. Numerous international companies and agencies headquarters, government ministries, conference centres, sports venues, and museums are located in Rome's principal business districts: the Esposizione Universale Roma (EUR); the Torrino (further south from the EUR); the Magliana; the Parco de' Medici-Laurentina and the so-called Tiburtina-valley along the ancient Via Tiburtina.